Michael Madhusudan Dutt[edit]
Michael Madhusudan Dutt (1824–1873) introduced blank verse (Amitrakshar Chhanda), literary epics and sonnets in Bengali language. Dutt’s first epic Tilottama Sambhab Kabya (তিলোত্তমাসম্ভব কাব্য, Birth of Tilottama) was published in 1860. This was the first Bengali poem written in blank verse. The story of Tilottama Sambhab Kabya is taken from Hindu Puranas. Dutt’s greatest work Meghnad Badh Kabya (মেঘনাদবধ কাব্য, Slaying of Meghnad) was published in two parts in 1861. The story of Meghnad Badh Kabya was borrowed from Hindu epic the Ramayana and deals chiefly the final battle, death and funeral of Meghnad, son of Ravana during the Lanka War. Dutt also wrote a lyrical poem–Brajangana Kavya (ব্রজাঙ্গনা কাব্য, Women from Braj, 1861)–and an epistolary poem Birangana Kavya (বীরাঙ্গনা কাব্য, Valiant Ladies, 1861–62). Dutt’s last book of poems, Chaturdashpadi Kabitabali (চতুর্দশপদী কবিতাবলী, Sonnets), is a collection of 102 sonnets written at Versailles, France in 1865. Dutt also wrote four plays–Sharmishtha (শর্মিষ্ঠা, 1859), Padmavati (পদ্মাবতী, 1860), Krishnakumari (কৃষ্ণকুমারী, 1861) and Maya-Kanan (মায়া-কানন, The Magical Forest, 1874)–and two farces–Ekei Ki Bole Sabhyata? (একেই কি বলে সভ্যতা, Is That What You Call Good Manners?, 1860) and Buro Shalikher Ghare Ro (বুড়ো শালিখের ঘাড়ে রো, Old Man Rejuvenated, 1860)
In this time, Michael Madhusudan Dutt emerged as the first epic-poet of modern Bengali literature. Dutt, a Christian by conversion, is best known for his Ramayana-based masterpiece, "The Slaying of Meghnadh," (in Bengali "Meghnadh Bodh Kabyo" (মেঘনাদ বধ কাব্য)), which essentially follows in the poetic tradition of Milton's Paradise Lost. Those who have read it consider this work a world-class epic poem of the modern era. Michael Madhusudan Dutta is also credited with the introduction of sonnets to Bengali literature. He ruled the Bengali literature world for more than a decade (1858–1863). Dutt can also be credited to be a pioneer of the blank verse in Bengali literature. His style was deemed as "Amitrakshar Chhanda".
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